The 1st phase in the exploration of Orwell’s 1984 is now completed. Our participants have been amazingly open, ready to experiment and question their prejudices. Thank you for having joined our path. A great thank you to the Poetry Place who offered their sunny, quiet space. We are already excited about the continuation and our General Manager Sylvain is working on the organisation of the 2nd phase due to take place in late February, early March 2013.

Meanwhile Rawmatterial is planning other surprise events because Not Acting is Unconsciousness!

Feedback from participants:

‘Definitely the ‘non character’ approach and the monologue which starts from you on ‘core’ words on the text will be useful for my future preparation for auditions and camera works.’

‘Overall I learnt that this way of working with the material makes it very much alive for the actor, as new questions about the meaning are constantly arising, and the work and actor in turn become more alive.’

‘In terms of working as an actor, it has made me more aware of my own potential in creating material, rather than responding to a director’s interpretation or vision. It has made me aware of my potential as a creator.’

‘ I believe that I experienced something different in terms of how to work with material and the space and a partner doing improvisation. The explorations that I both witnessed and participated in made me reflect back on the actor’s presence, organicity, the “real” and the “pretend” play, what is preparation and where it happens in the actor’s body? Mind? Imagination? Loooots of questions!’

 

‘I thought it was fantastic.’

‘Great performance!’

‘I found it an incredibly compelling performance and was totally engaged. This in spite of the fact that my language skills kept up for about 20 seconds! That said, I wonder if not understanding the words allowed me to become absorbed in a different way from my usual theatrical experience. Rather than wondering “why that phrasing” “what’s the hidden meaning of that word” I could experience it on a purely visceral level, which perhaps ties in to the idea of action which was discussed in the debate.’

‘All in all thoroughly enjoyed it and would definitely like to see more from Rawmatterial in the future.’

‘I think what you’re doing is really inspiring.’

‘I was worried at first that not being an actor, or knowing much about it that I wouldn’t get anything out of it, but I did learn from the evening, which was really nice.’

 

‘Relinquish’, Rawmatterial’s first performative event @ The Old Vic Tunnels was a sell-out for the 4 performances. A successful night thanks to a committed team of artists who took on a great challenge.

Scenography by Natasa Stamatari
With Louise Faulkner, Thomas Mitchell and Natasa Stamatari
Directed by Maria Gaitanidi
A short play by Ross Howard

Pictures and video extracts coming soon.

You can read a review of the show below.

Relinquish Review

Thank you to the Vault Festival and the OTB Productions for having created and given the opportunity for this to happen.

 

Please click on each of the images to find out a few comments on Orestes Rising @The Crypt, London, 2011

© 2011 Rawmatterial - International Artistic Laboratory Suffusion theme by Sayontan Sinha