Dec 152011
 

une réfléxion brute sur un Paris de Décembre lumineux et incongru où encore une fois toute connaissance est mise en jeu; une odeur d’ancien derrière les portes et une envie constante de créer; pour cela il faut que les mains se vident, que les esprits se soumettent et comme c’est dur……..

de la matière brute donc……

 Posted by at 6:37 pm
Dec 062011
 

Been looking for days now, some sort of way to escape and incommensurable weight of day passing…. Georges Perec provided the click for a singular, crystal moment; from his novel The Void

‘Noon rings out. A wasp, making an ominous sound, a sound akin to a klaxon or a tocsin, flits about. Augustus, who has had a bad night, sits up blinking and purblind. Oh what was that word (is his thought) that ran through my brain all night, that idiotic word that, hard as I’d try to pun it down, was always just an inch or two out of my grasp – fowl or foul or Vow or Voyal? – a word which, by association, brought into play an incongruous mass and magma of nouns, idioms, slogans and sayings, a confusing, amorphous outpouring which I sought in vain to control or turn off but which wound around my mind a whirlwind of a cord, a whiplash of a cord, a cord that would split again and again, would knit again and again, of words without communication or any possibility of combination, words without pronunciation, signification or transcription but out of which, notwithstanding, was brought forth a flux, a continuous, compact and lucid flow: an intuition, a vacillating frisson of illumination as if caught in a flash of lightning or in a mist abruptly rising to unshroud an obvious sign – but a sign, alas, that would last an instant only to vanish for good’.

(transl. by Gilbert Adair, who succeeded in preserving the idiosyncracy of the original French… the letter “e” doesnot appear even once in the book!)

 Posted by at 10:30 am
Dec 022011
 

Feel of something new out of the old
A renaissance, unexpected from London streets, walked and walked
And because we are on the theme of acting and writing and creating
Witness one of the most compelling presences…. an ass

Au hasard Balthazar – R. Bresson (1966)

‘Because there are no actors, but models; their consciousness reduced to the minimum; tighten the spiral in which they can only be themselves and they can only do but the useful’.

Robert Bresson

 Posted by at 11:54 am